It called attention to itself and made me acutely aware, much of the time, that the movie was ushering me into a world dominated by decrepit old white men and their game-faced juniors (Academy voters, get your ballots ready! It has no social importance or, more seriously, redemption. I held out a long time before watching it, wife wanted to see it badly and insisted on seeing it all in one sitting, so took a while to find the time. Simply do what they have been doing for decades, have someone else play the actors in their younger years. Slow hard to follow, drawn out. But this is not good. As it is, what Scorsese gives us with The Irishman is an unglamorous return to mob movie territory, where the men’s half-CG faces are now fraying at the edges, skin-walking in unnatural ways. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. Whatever the case, as an Internet nobody and lifelong Scorsese and De Niro fan, albeit one who’s literally half their age (they’re both 76 and I’m 38), I can only fantasize about what it might have been like if The Irishman had done things the old-fashioned way and brought in Scorsese’s frequent collaborator, Leonardo DiCaprio, to play the young Frank Sheeran. What began as a kidnap/ransom business eventually turned into running security for bootlegging on behalf of the Lansky-Purple Gang-Bronfman empire. I was fine with them being old, as in their real ages, but as most of the movie reflected to their youth it made it difficult to even absorb the story line while they performed their non-youthful flashbacks. Utter garbage. Not to mention the extremely terrible CGI from netflix. So because they are lukewarm, I will spew you out of my mouth.” In a nutshell, that’s how I feel about The Irishman. Retro is cool as retro. It would have rescued this movie from expensive CG fakery and filled in a big missing face hole in the reunion pic from Scorsese’s filmography. The Irishman (titled onscreen as I Heard You Paint Houses) is a 2019 American epic crime film directed and produced by Martin Scorsese and written by Steven Zaillian, based on the 2004 nonfiction book I Heard You Paint Houses by Charles Brandt.It stars Robert De Niro, Al Pacino, and Joe Pesci, with Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, and Harvey Keitel in supporting roles. The Unpopular Opinion: Okay, Let’s Hear from Someone Who Doesn’t Like ‘The Irishman’, Robert De Niro, Mike Myers, Timothy Olyphant, Michael Shannon, Chris Rock, Anya Taylor-Joy, More Join David O. Russell’s Mystery Film, Martin Scorsese’s ‘Killers of the Flower Moon’ Production Gears Up For Seven-Month Shoot, The Quarantine Stream: ‘Pretend It’s a City’ Features Many Scenes of Martin Scorsese Laughing Uncontrollably, Which is What You Need Right Now, ‘Pretend It’s A City’ Trailer: Martin Scorsese Presents a Surprise Documentary Featuring Writer Fran Lebowitz. While its audience score on Rotten Tomatoes is still a respectable 86%, there does seem to be a greater audience consensus since its streaming debut that the movie is boring. We can look on his mighty works, and rejoice. Go ahead and admit it — The Irishman on Netflix is terrible. Its the 21st Century and here Deniro romanticizes life as a loudmouth, racist, bully CGI old man who uses Catholicism as a predictable prop. With Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel. Tried to watch a full hour and yawned more times than i did in a whole year. Joe Pesci as Russell Bufalino. Pesci is. The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob movie hits. Filled with pointless dialogue and it is clearly only getting great reviews because the big name actors are there. The Irishman is a convoluted mess, no where near Scorsese's best work and nothing he hasn't done before. It's like Scorsese is trying to bring back an updated godfather / Casino movie, but he was blind folded when trying to hit the mark. Apologies in advance to the hard-working people at Industrial Light & Magic and all the rest of the cast and crew of The Irishman. Bad camera work. Perhaps more more fiction to grip the audience. Worthless, senseless, violent, predictable, boring, walked out of the movie 45 mins into it. It's like an olg people's home from hollywood. Although performances were good I couldn't find the characters that convincing, This is the worst film of 2019. Tried to watch a full hour and yawned more times than i did in a whole year. In ancient Egypt, pharaohs would be entombed with everything they needed for the next life: all their treasures and their mummified cats and even their living servants. Mark Kermode reviews The Irishman. I was fine with them being old, as in. I turned to her, stopped the movie and said "This is sooo. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? We've already ran several raves, so it's time for a The Irishman negative review from a critic who typically loves Martin Scorsese movies. The greatest waste of movie budget in the history of movies. The Irishman is certainly a work of cinema, however you want to define it. A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. The plot leaves large gaps causing the audience to become confused, whereas the CGI on De Niro lands often in the uncanny valley. It is long past time to let new voices with new visions into the boys club of directing and producing movies. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. Overrated and boring Movie. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. Nevertheless, as I watched The Irishman — a film that has received universal acclaim — I felt the contrarian rearing up in me, chafing against the idea that it was an instant classic on par with some of his other certified masterpieces. There are moments of sudden, gory violence, all with no value. De Niro himself convinced us that he was the young Vito Corleone in The Godfather, Part II (this, despite taking the stage after Marlon Brando, which was no easy feat, back then). Simply do what they have been doing for decades, have someone else play the actors in their younger. This film followed the same script as any other mob movie by Scorecese: "look how bad, violent, and petty these guys are". Way too long and not all that interesting. I felt like it added this strange, puffy plasticity to their faces, and I would catch their faces rippling or shimmering at odd times—as if they were watery shapeshifters who hadn’t yet perfected their human masquerade. the Robert De Niro we fell in love with well...he has departed for places unknown. There are no women, no blacks, no other ethnicities My review: The Irishman is part of a dead genre that no one cares about anymore. Stephanie Kurtzuba as Irene Sheeran An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. The Irishman is actually a bad movie. Martin Scorsese’s The Irishman, starring Al Pacino, Robert De Niro, Joe Pesci, and Harvey Keitel — is the director’s most satisfying film in decades. If you don’t, perchance, not to worry. De Niro, if you’re not acquainted with the particulars of the plot, plays the titular Irishman, Frank Sheeran. On a broader brush I say: Scorsese and Tarantino and the ilk should no longer have the power to make their pointless glorification of murder stories. All names, trademarks and images are copyright their respective owners. This film is a perfect example of what happens when the greats work past their prime. The Irishman‘s most glaring flaw — the one that anyone who’s cringed during the trailers might be able to see coming — is its digital de-aging, which tries to cheat time but just ends up dragging this drama down into the uncanny valley where stately prestige pics don’t belong. The most scandalous film, barely watched, the feeling that I spent three hours in the house of the elderly, not because of the age of the heroes, but because of the burdensome plot. For example, if you search for The Irishman on Twitter, the first suggestion is "The Irishman boring". Make it stop. We’ll address that as this goes along and the diluted power of Hoffa’s name will inform how we wrap this up. It has way too much back and forth about getting Jimmy Hoffa to behave or he would get killed, and if you've seen Blow with Johnny Depp, then you've seen the ending to this film. Story line is of interest although not factual but....the....movie....just....drags... on and on. This was before someone had the bright idea that you could just make lifelike models of the servants and not have to bury people alive. Wow that was terrible...could not get through the first hour. The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob … The editing was very poor and couldn’t save what was a weak script to begin with. Completely boring. Affiliate links used when available. It goes without saying that his cinematic legacy is secure. Robert De Niro is out defending The Irishman from claims that the movie is based on lies. I know a three is harsh, but I feel I have to balance out the idiots. I’m taking for granted that the reader knows who Jimmy Hoffa is. I can not figure out why people are raving about it. Posted on Friday, November 29th, 2019 by Joshua Meyer, (Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. Web design by Pro Blog Design. An enforcer and hitman for the mob looks back on his life and his relationship with Jimmy Hoffa. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Lucy Gallina as Peggy (age 7) Stephen Graham as Anthony "Tony Pro" Provenzano. I apologize to Scorsese because you have an immense talent, but I suspect you already know it doesn't work. In the end, just a DEPRESSING excersize in Mafia bleakness; you don't care about ANY of these people. This film is a perfect example of what happens when the greats work past their prime. The worst movie from Scorsese. It’s probably not as bad as New York New York. OPINION: The Martin Scorsese-directed Netflix film is boring, ill-acted, poorly written and amateurishly directed. This movie was so absolutely boring I didn’t even wait to get to the end. This movie is a one time watch for me. With Hugo, Scorsese showed himself capable of evolving and embracing technological trends like 3-D. It has no social importance or, more seriously, redemption. Pesci is good, Pacino okay, DeNiro fair. There are no women, no blacks, no other ethnicities. This movie made me feel like a potato because the plot makes no kinda sense which was so dumb and disappointing but I have it a point because of the dialogue potential. If only the visual effects were the worst part of The Irishman, an overly long, overstuffed mafia film that has nothing to say and doesn't even seem to know what story it's telling. The Irishman is a sweeping tale of mob violence and betrayal following Frank Sheeran (Robert De Niro), one of the few Irishmen integrated into the … A film of masterly hushed precision, it digs deep into … How about story? The movie seemed to have lost sight (or never had it) of what was the main story or character, and I felt myself struggling to figure that out every step of the way. Why they are still removed? Or maybe there’s a layer of inherent visual artifice that comes with, say, a Star Wars film, which helps muddy the field, letting you know, deep down, that most of what you’re looking at is fake, so you can more easily accept its otherwise bizarre CG resurrections (Peter Cushing) and “youthifications” (Carrie Fisher passed away a week and a half after the world saw her young digital likeness pasted on a body double in Rogue One). The way of the plot, plays the titular Irishman, the highly anticipated from. 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